. . . muttered the ogre

The protagonist of the TV series Awake lives in two worlds: one in which his wife died in a car crash, and one in which their son died instead. As we see it, he spends a day in Hannah’s timeline and then a day in Rex’s, alternating.

But (in the four episodes I’ve seen so far) no one ever asks him where he goes on the other days. On the other hand, if he lives each calendar day twice in sequence, he ought to be able to use knowledge of events unrelated to his family to win the occasional bet, and I haven’t seen him do that.

So I choose to suppose that his awareness forks each morning, and rejoins when he sleeps, so that he always has two yesterdays, neither preceding the other.

In Mamet’s The Spanish Prisoner (1997), Joe, for a genius, is a bit stupid. Maybe he hasn’t watched enough movies.

Jimmy tells Joe to “bring the Process” to their meeting in the park. Joe never mentioned that word to Jimmy. Though Joe is already suspicious of Jimmy, he does not notice. (Well, maybe he’s too angry to notice.)

The fake FBI agents tell Joe that Jimmy is working a classic Spanish Prisoner scam, though Jimmy has done almost nothing to set up such a story. If he says the “princess” is in trouble, will Joe hand over the Process to help her? Hardly. So why doesn’t Joe remark that it doesn’t fit?

When the police ask for something with Jimmy’s fingerprints, the plot requires Joe to take a day or so to remember the switched book.

Susan is the obvious suspect for the theft of Joe’s knife; this does not occur to Joe.