Question of the day: if you could have one piece of art drawn by any living comics artist, not to sell, what artist and what character?
I haven’t followed (paper) comics in a long time, but several possibilities come to mind; in rough order of seriousness:
In Atlas Shrugged, John Galt invented a radical new engine and (according to folklore) emigrated to Atlantis to keep his invention out of the hands of parasites.
Charles Stross’s novel Neptune’s Brood is about uncovering the true history of the Atlantis colony, which gathered an unusual concentration of talent before suddenly going silent. Some say that Atlantis was working on a FTL drive, which happens to be a motif in a perennial scam. Was Atlantis never more than a Potemkin village, bait for investors? Or, on the other extreme, was it destroyed because the FTL project succeeded?
Once or twice before, I’ve asked Charlie whether he intended an allusion and he said “ha, no, I didn’t notice that,” so I won’t assume that the name “Atlantis” (which is unrelated to the Neptune of the title) is a poke at Rand. It’s funny either way.
How old do you need to be to understand this gag from 1978?
Each month I look through my HTTP log for new incoming links. Most of them are phony. In December, Russian porno was up and other commercial spam was down.
A notice to renew my domain registration prompts thoughts of what I might have used instead: ansher, anwood, tonsher, tonwood ?
tonsher reminds me of an acquaintance whose bald spot looks uncannily like a monk’s tonsure — and that’s even funnier on a Jew. My own bald spot is not so sharply defined.
One thing I noticed in that last series of charts is that more than one degree of discontinuity doesn’t help: the best-looking curves are mostly on the diagonal, where only the last nonzero derivative is discontinuous. Here, therefore, are those curves all together.
In column zero, the tangent angle is piecewise constant; in column one, it is a piecewise linear function of path length, resulting in six circular arcs; in column two it is piecewise quadratic, resulting in six clothoid arcs with continuous curvature; and so on.
Of course the arcs are approximated by cubics; to improve the match, I put a knot wherever any derivative crosses zero, as well as at the discontinuities. (See the knots.)
Presented for your consideration: the somewhat disappointing results of an experiment in using piecewise polynomial spirals, of varying degrees of continuity, to fit the Takana — disappointing in that few if any of the curves are as pretty as I hoped.
I treat here only those that can be drawn with a single stroke. (The others can be built by combining subsets of these strokes.) In each chart, the degree of continuity increases downward, and the degree of the polynomials increases to the right.
A polynomial spiral is a curve whose tangent angle is a polynomial function of arc length; it has the form integral(exp(i*f(t))). (I implement it as a Taylor series.) In principle, f could be any real-valued function. If f is constant, you get a straight line; if f is linear (leftmost column in these small charts), you get a circle; if f is quadratic, you get an Euler spiral or Cornu spiral or clothoid, which is much used in railroads and highways to avoid sudden changes in lateral acceleration.
Here f is a least-squares fit to the step function which is the direction of the squared stroke. The top row of the chart shows continuity of degree zero: the component arcs meet, but that’s all; f is discontinuous. Degree one: the tangent angle is a continuous function of arc length. Degree two: the first derivative of tangent angle with respect to arc length, i.e. the curvature, is continuous. Degree n: the (n-1)th derivative of tangent angle, i.e. the (n-2)th derivative of curvature, is continuous.
Click each chart to extend it.
Later: I have come to a couple of conclusions. In most of these charts, the best entry to my eye is where f is piecewise quadratic with one continuous derivative. More than one degree of polynomial above the continuous degree adds little fidelity and detracts from beauty.
