I mis-heard some trivial question as “What is Hamming music?”

For some of us, the name Hamming is strongly associated with information theory, and so I imagined that “Hamming music” must be algorithmic composition using error-correcting principles.

And that got me thinking vaguely about redundancy in art.

Does anyone remember a song of thirty years ago that ended with the narration “But now we must descend, for there is another side to this vision”?

Later: I am advised that it’s “Solar Boat” by Ray Manzarek.

Gunnerkrigg Court, a newish cartoon-strip set in a decidedly weird boarding school.

This is too good to leave buried in the comments: Loituma perform “Ievan polkka”

Sheldon Richman: Capitalism vs Capitalism

Something Positive: It’s entirely possible that you’ll appreciate this joke more than I can.

You don’t need me to tell you that MC Escher laid down some killer grooves. It’s high time someone made a movie of his last work: Snakes on a plane!

If you haven’t already, go here and listen to “Title of the Song” (MP3), a spoof on the “boy band” genre.

An unexpected effect of listening to music through my computer’s speakers is a better stereo image than I’m used to. That’s how I noticed for the first time that Loituma’s joyously goofy song Ievan polkka has four vocal parts, not three: the female lead and the male accompaniment are in the center, with two female voices, singing almost but not quite the same part, in the wings. (Maybe it’s one woman singing the same part twice but adlibbing.)

If any of you understand Finnish, by the way, I’d love to have a transcription and a translation.

I called a locksmith today and he said he recognized my voice’s “heavy tone” from a previous job. I wonder whether that’s a translation of a Chinese idiom. Perhaps my voice was gravelly, as it sometimes is in the early morning.

I sing baritone, and that word comes from Greek bary- ‘heavy’, though you’d think the metaphor would apply better to a basso profondo.

Recently I had occasion to sing a verse of “Rum, By Gum” and Jeff Riggenbach asked whether it came from The Lamplighters; I allowed as how that might well be the case. A spot of websearching now suggests the Mitchell Trio.

In the course of my research (ah, here comes the good part) I found two versions of the song with a remarkably large collection of verses.