Yesterday we took a spin in the exuberantly wooded Santa Cruz Mountains. Bright winter sunshine with patches of rain made for a superb light.
On the way home near sunset, I saw my first sun pillar.
Yesterday we took a spin in the exuberantly wooded Santa Cruz Mountains. Bright winter sunshine with patches of rain made for a superb light.
On the way home near sunset, I saw my first sun pillar.
Mike Ruff: open carry as propaganda
Will Wilkinson: Remitting Disaster
Arimaa, “the first game that was designed intentionally to be difficult for computers to play.”
James D. Miller: The Depolarizing Power of the Blogosphere
Once More With Hobbits: filk of a peculiar kind
Michael McMenamin in Reason: T R gets a bad rap from isolationists
Today’s excuse for inactivity is that my monitor is on the fritz. At first I thought it was a previously unseen mode of a screensaver that looks like bad TV reception: the blue channel suddenly covered the whole screen with skewed scan-lines. Then it was okay for a bit, and then the blue dropped out completely; shuffle to taste.
Last week I put some bellflowers under the orange tree on my porch — and it hasn’t rained since.
Update: The rain returned on January 25.
I don’t know how Netflix decides what to send to whom. Here’s how I might do it:
I have not decided whether or not to cancel Claims when the customer rearranges the Request Queue.
In rare circumstances, this procedure could send your second choice even when your first choice is available and otherwise unclaimed, if the second title happens to be processed first. (2006 Mar 04: Pondering it now, I don’t see how that’s possible.)
It’s interesting to note that this procedure requires delivery times to be quantized. Suppose on the contrary that discs can instantly be checked in or out at any time of day. Then when you turn in a disc your first choice is likely not to be available, and when it comes in you’re not entitled to it (because then your Demand is again zero). So: when N*Delay has passed since a disc came in, send whichever is first available of the customer’s N+Demand top selections. (This calls for a more object-oriented implementation.) The customer sets Delay; short for those who like surprises, long for those to whom sequence is important, e.g. those watching all 39 discs of Buffy the Vampire Slayer in order.
In Fractured Fairy Tales: The Three Little Piggs (1960 Oct 09), the wolf when first seen is reading Gay Boy magazine.
Now here is a job that I could probably do well. I’ve done it once or twice and had no complaints; it probably doesn’t require talking to people much . . .